Royals vs Diamondbacks 2016. With mine. @stephschlosser (Taken with instagram)
Royals vs Diamondbacks 2016. With mine. @stephschlosser (Taken with instagram)
#kcroyals #loyalty (Taken with instagram)
#PicFrame (Taken with instagram)
Jensen pl. (Taken with instagram)
Photographer turned wet-plate artist Ian Ruhter basically dropped everything and cashed in his life’s savings to follow his passion, morphing his van into a massive camera and making enormous wet plate prints as he travels the country. From hand-making the silver emulsion to the financial risks of shooting at a whopping $500 a plate, this video “Silver & Light” gives an in-depth surprisingly honest look at Ruhter’s process, his trials and tribulations, and what drives him to pursue this unusual form of image-making. Ruhter’s images are stunning, one of a kind pieces that seem to come from another era, and in his own words, “I didn’t just build a camera, I created a time machine.”
Check out the behind the scenes look at his process in “Silver & Light”, and if you still want more, then check out Ruhter’s photo blog here. [fstoppers]
(Source: fstoppers.com)
Beautiful rainbow-hued photos of British Columbia by Instagramer Matt French.
Edited using a mix of these iPhone apps: Lens Flare, Snapseed, Picfx, & Instagram.
(via photojojo)
Big 12 2012 (Taken with instagram)
An amazing stop motion video for Gotye’s, “Easy Way Out.” The evolution of this art is simply amazing. Learn more about this technique by visiting: Prime vs Prime-A lesson in stop motion photography.
You will need to watch the video to believe these shots are of real people, rather than painted images. Alexa Meade completely warps reality by weakening the boundaries between our 3D world and that of a 2D painting. The 25-year-old artist whose work lies at the intersection of painting, photography, performance, and installation has this to say about her work. [Fstoppers]



(Source: fstoppers.com)
Dreamy #phantasy project started by Instagrammer Nick Spud that was inspired by Dan Mountford’s double-exposure photos.
Photo credits:
- top left, @nickspud
- top right, @haileygolich
- bottom, @tavcalico
(via photojojo)

How you price your services makes a big difference in how your business is viewed by prospective clients. For freelancers, especially those just starting out, the tendency is to price work on the low end to generate client leads and interest. But what freelancers end up doing is attracting the cutthroat bargain hunters— not a sustainable client base to have in the long run.
Setting your rates low is a signal that shows you are indiscriminate in how you value yourself and your business.
Building your freelance brand starts with the price tag you put on your services. When you first begin working with clients, your rates send a message to prospective buyers: “This is what I’m worth.” If you price too low to undercut competition, you end up sending the message that you aren’t confident in your abilities, and that you’ll take any job at any price.
Setting your rates low is a signal that shows you are indiscriminate in how you value yourself and your business. Freelancers are independent professionals, as deserving to be taken seriously as any agency or corporation you compete with—it’s about time you start bolstering your professional brand by internalizing the belief that you have something invaluable and unique to offer.
Many freelance newbies make the mistake of setting their rates against the competition. While it may make sense if you have no reference point or industry baseline, keep in mind that fellow freelancers may be undercutting their own services in the same vein, leading to a downward spiral on rates for everyone. Benchmarking against rates the “majority” charges puts deadweight pressure on the sustainability of your work as an independent professional.
Freelancers often charge by the hour because clients often inquire about hourly rates or because of precedents set by others. While there are industry standards for hourly rates, try selling your services, not your time.
You want to bill more hours, especially if you are putting in the time; your client wants to reduce that amount. It creates conflict and makes your relationship with the client adversarial from the get-go
Rarely is it about a simple web redesign. Your client is requesting “a means to an ends”. What does the website represent? Is it to support a business of some kind? Your pricing should reflect that and not just the arbitrary internal costs.
If you’re designing a website, express how you want the redesign to increase traffic. You can then turn to the prospective client and say “My base price is X amount. If I help you ramp up internet traffic and increase your sales, you pay me an additional X percent off of your additional sales.” What you get paid is linked directly to outcomes.
Charge not just for the face value of your time in producing the creative work itself, but also for the professional experience of working with you. That’s part of your value— the services you provide, the ease and grace in which you provide them, and finally the actual creative product you give a client. Here are savvy ways to raise your rates without scaring away clients.
Freelancers often close a deal too fast, buckling and caving in to every client demand because they worry that their prospect will walk away. If clients don’t ask for your hourly rate, they ask you to give a generic lump estimate upfront before detailed discussions even begin (learn how to negotiate with clients that want all-in-one fees). In some cases, it may make sense to swiftly conclude a contract, but in general, practice caution and patience before diving into a project.
This information may already be built into the specs the client gives you, but if not, encourage your client to tell you more. You want your client to open up to you about their values. This way you can scope a project to not only meet but exceed their criteria for a particular deliverable.
Explore a potential project in detail and figure out the client’s overall goals and objectives, not just the immediate outcome being sought in hiring you. Clients often come with a self-assessment that vastly underestimates what they truly need.
Learn how to read between the lines to understand what their end game is. You’ll be surprised at how amenable clients are to approaching the discussion and scoping process in a more deliberate and conscientious way. Clients that put pressure on you to speed things up are generally “problem clients” and should be avoided.
What you see is real, but you can’t see it this way with the naked eye. It is the result of thousands of 20-30 second exposures, edited together to produce the timelapse. This allows you to see the Milky Way, Aurora and other Phenonmena, in a way you wouldn’t normally see them.
Jason Lee’s takes mind boggling images of his children. Great concepts.
(Source: fstoppers.com)
At a recent TED Talk, conceptual photographer Erik Johansson broke down his approach and method into a bite-size chat. While many photographers consider their work finished as soon as they hit the shutter button, apply contrast, and upload to Flickr, Erik decides to take it further (quite a bit further, in fact). His images make you stop and think and may take a few minutes to sink in. If you’re one of those who asks “yeah, but is it photography?” don’t say I didn’t warn you.
(Source: fstoppers.com)